‘Female power’: Japan erotic art destigmatized in new exhibit
Graphic depictions of enormous phalluses and acrobatic sex positions have long rendered centuries-old Japanese “shunga” art taboo, but a rare exhibition aims to prove the genre is a world apart from male-centerd porn.
Female pleasure instead takes center stage at the Tokyo exhibition showcasing around 150 pieces of shunga—an erotic form of “ukiyo-e” drawings and woodblock prints that flourished in Japan’s Edo period, which began in 1603.
But so explicit is the art form in its depictions of nudity, genitals, and sex that it was suppressed under Japan’s post-shogunate Westernization drive in the late 19th century.
That stigma around shunga lingers more than a century on, with the genre often lumped together with commercial porn that objectifies women.
It is this misconception that the latest exhibition seeks to dispel.
On her recent visit from Germany, Verena Singmann, 38, says she found shunga strikingly different from modern-day porn that is “very much focused on male pleasure.”
Detailed depictions of the vulva, oral stimulation for women, and same-sex play with dildos, she says, suggested ukiyo-e artists’ deep appreciation of sensuality and sexuality at the time.
“Instead of women just being an object that men look at… this is really showing female power through pleasure,” Singmann, a spokesperson for a sex toy brand, tells AFP.
Her colleague Miyu Ozawa, 30, agrees.
“You can see from the women’s expressions that they were truly enjoying what they did,” she says.
Ukiyo-e—literally meaning “pictures of the floating world”—depict scenes from everyday Japan and often portrayed beautiful women and actors of “kabuki” traditional theater, with the art made accessible to the public, thanks to affordable woodblock prints.
The adults-only exhibition in Tokyo’s Kabukicho red-light district is a rare attempt to spotlight shunga, famously described by a shocked US businessman in the mid-1800s as “vile pictures executed in the best style of Japanese art.”
It was not until 2015 that an art show exclusively featuring shunga materialized in Japan, inspired by the genre’s successful debut at the British Museum two years earlier.
That 2015 event in Tokyo has since helped shunga inch toward acceptance, with a few art shows held and a specialist museum established in central Japan’s Gifu region.
Seedy image
Still, many Japanese museums “remain very much uncomfortable with these artworks,” Mitsuru Uragami, one of Japan’s leading shunga experts, tells AFP.
Behind their discomfort is “the idea that shunga somehow runs counter to public order and morals,” says Uragami, whose collection constitutes the ongoing exhibition.
Even in their heyday during the Edo period, shunga publications were at times forced to go underground, reaching their avid readership thanks to resourceful “kashihonya”—or book lenders—who went door-to-door with erotic books carefully hidden in their trunks.
Despite their seedy image, shunga represents the craftsmanship of some of Japan’s finest ukiyo-e artists, such as Hokusai and Kitagawa Utamaro, encapsulating their humor and techniques.
Even with the absurdity of penises “as big as a face” or “near-impossible sex positions,” many drawings manage to come off convincingly realistic— proof of “their authors’ top-notch artistic skills,” Uragami says.
That little-known artistic value resonated with Maki Tezuka, chairman of Smappa! Group, which operates everything from bars to “host clubs”—where men entertain women—in Kabukicho.
“I thought shunga was similar” to the infamous Tokyo district synonymous with sex, booze, and crime, says Tezuka, the project leader for the exhibition.
“Just like shunga is dismissed as Edo-period porn, Kabukicho is instinctively avoided as a ‘dangerous’ or ‘illegal’ place, despite a certain depth and humanity to it,” he tells AFP.
Reflecting that deep-seated prejudice against shunga, some businesses he approached refused to sponsor the exhibition.
Still, the 47-year-old is hopeful that it can inspire cultural interest in skeptics.
“I think their attention will gradually shift from genitals to the art’s beautiful color, which can hopefully ignite their interest in ukiyo-e itself, and eventually kabuki theater art,” Tezuka says.
