FILE PHOTO: Philippine actress Nora Aunor poses with her trophy after winning the Best Actress Award for her movie "Thy Womb" at the Asian Film Awards during the 37th Hong Kong International Film Festival in Hong Kong on March 18, 2013. —ASSOCIATED PRESS
W hile I had already started to do bit parts and character roles in movies, I was principally still a television writer and “Ang Makulay na Daigdig ni Nora” was among the shows I wrote for.
This family breadwinner was finally able to make enough money to move her family out of the silong occupied since 1971, to a three-storey apartment on K-1 street, in Kamuning.
Problem was the talent fees I was expecting to make the downpayment for the move weren’t out yet.
I went to see the woman, asked if she could advance me the money and promised I’d give it back to her soon as I got it. She stared at me for a long beat, she must have been reading if I was telling the truth.
She asked someone to make a check, she signed it, then gave it to me at once.
Nakalipat kami, yes!
A month or so later, I got paid. I had no checking account, so I brought the money to her. She wasn’t home. I left the cash with the same person who prepared the check for me.
Evening of that same day, lo and behold, came a basket of fruits and the very same envelope of cash I had earlier left in her house.
I rushed to her place in Valencia. She had guests. Our eyes met. I waved the envelope at her. She put a finger to her mouth, shook her head, gave me a beer, while also putting the envelope back in my bag.