CARAZA, SPAIN—There are two types of people in the world, Clint Eastwood’s Man With No Name tells a rival gunslinger who has no bullets. Those with a loaded gun, and those who dig. “You dig.”
Volunteers in northern Spain have taken his words to heart, painstakingly tending the freshly dug graves on sets featured in Sergio Leone’s classic “The Good, the Bad and the Ugly” to make the area a pilgrimage site for movie fans.
With its rolling hills of heather-strewn shrubland, the countryside near the town of Santo Domingo de Silos, some 200 kilometers north of Madrid in Burgos province, stood in for the American Southwest in the epic set during the US Civil War.
The 1966 film is a classic of the “spaghetti Western”—a genre referring to movies set in America’s wild West but set in European locations and directed by mostly Italian filmmakers.
The last installment in the “Dollar Trilogy” that propelled actor Eastwood to international stardom is a fixture in most all-time best movie lists.
Pilgrimage place
In 2015, a local cultural association launched a sponsorship drive to reconstruct the fictional Sad Hill Cemetery, site of a famed showdown between Eastwood’s Man with No Name and two rivals for a hoard of buried Confederate gold.
The cemetery now boasts more than 5,000 prop graves.
Kristine Guzman of the regional film commission said its refurbishment should sway fans to flock to what “will constitute a new place of pilgrimage.”
Angel Sanchez, 63, from Toledo in central Spain, told Reuters he was weighing whether to have his own ashes scattered there.
To the east of the cemetery lies the Betterville prison camp, where the gunslingers played by Eastwood and Eli Wallach are held after being captured by Union soldiers.
Betterville was rebuilt using juniper trunks burnt when a fire ravaged the surrounding natural park in 2022. The project received 50,000 euros ($55,000) in funding from the park and involved professional construction crews.
Last Sunday, reenactors marked the project’s completion.
Garbed in a Union officer’s uniform, Sergio Garcia, a founding member of the Sad Hill Cultural Association, unveiled a plaque commemorating the hundreds of local extras who partook in the original production.
At the cemetery, a man stood in a ready-to-draw pose as his portable speaker blared Ennio Morricone’s “Ecstasy of Gold” earworm from the film’s unforgettable score.
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