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Time travel in Iloilo
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Time travel in Iloilo

ILOILO CITY—There is something almost cinematic about stepping into old Iloilo in the middle of a punishing Visayan summer.

Outside, the streets pulse with jeepneys, motorcycles and the relentless brightness of May.

But once the heavy wooden doors of an ancestral house swing open, time softens. The air cools. Capiz windows filter sunlight into honey-colored beams.

And suddenly, the city begins speaking in another language—one of stone mansions, embroidered piña sleeves, tablea chocolate, and stories inherited across generations.

This is the promise of the “Living Heritage Museum Tour: Spanish Era Tour” spearheaded by the Iloilo City Meetings, Incentives, Conferences and Exhibitions (MICE) Center as part of the celebration of National Heritage Month 2026.

For three days, from May 8 to May 10, visitors were invited not merely to look at heritage structures, but to inhabit them—to dine in them, walk through them, listen to their histories, and imagine the lives once lived inside their narra halls and ventanilla-lined corridors.

The tour transforms Iloilo itself into a living museum.

And perhaps nowhere is this more fitting than in a city long regarded by historians and architects as one of the Philippines’ richest repositories of Spanish colonial and early republican heritage outside Manila and Vigan.

The Spanish Era Tour brought participants through some of Iloilo’s most storied heritage landmarks.

Among them was the Avanceña-Camiña Balay nga Bato in Arevalo, a preserved bahay na bato declared an important cultural property by the National Museum in 2015 and known for its traditional tsokolate and heritage dining experience.

Singers entertain visitors of the Avanceña-Camiña Balay nga Bato.

In Jaro, guests visited Casa Mariquit, regarded as Iloilo’s oldest heritage house dating back to 1803. Once home to the influential Lopez family, the residence still preserves antique furnishings and memorabilia linked to Philippine political history.

The tour also stopped at the Javellona-Ledesma House, one of the city’s oldest surviving homes dating back to the 1820s and officially declared a heritage house by the National Historical Commission of the Philippines (NHCP).

The Javelona-Ledesma House is one of Iloilo’s oldest surviving ancestral homes dating back to the 1820s.

Participants explored the Aduana Building in Iloilo City Proper, the former Customs House distinguished by its iconic tower and role in Iloilo’s trading history, as well as the National Museum Iloilo, once the old provincial jail and now transformed into the regional museum of Western Visayas.

Another highlight was the restored Ynchausti-Elizalde Building, first built in 1905 and associated with Iloilo’s thriving sugar and mercantile trade during the colonial era.

Inside the historic structure, guests were treated to a Spanish-Ilonggo dining experience prepared by LaMeza Ilonggo featuring roast pork leg or pernil, sizzling gambas al ajillo, paella de adobo Ilonggo, and churros paired with tablea chocolate.

The itinerary also included the famed Nelly Garden in Jaro, the grand mansion built in 1928 by sugar baron Don Vicente Lopez. Known for its Beaux-Arts architecture and lavish interiors, the estate once hosted presidents and dignitaries.

Nelly’s Garden of the Lopez family are a must-see for those who want to get a glimpse of Iloilo City’s illustrious past. —PHOTOS BY HAZEL P. VILLA

Another stop was Casa de España, originally established in 1926 as an exclusive social club for Spaniards and elite Ilonggos, its restored neoclassical façade standing as a reminder of Iloilo’s enduring Hispanic influence.

History animated

There is also deliberate attention to sensory detail throughout the tour.

Participants encounter theatrical performances in period costume, heritage-inspired fashion, and curated spaces where history is animated rather than displayed behind glass. Guests are even encouraged to arrive in Filipiniana or Spanish-inspired attire, turning the experience into a full immersion in the aesthetics of another era.

Fashion and craftsmanship are likewise woven into the experience.

Renowned Ilongga designer Jaki Peñalosa joined the event as sponsor, highlighting the continuing relevance of hablon weaving and modern Filipiniana design in preserving local identity. Guests also receive souvenir kits that reflect Iloilo’s artisanal traditions.

The National Heritage Council of the Philippines is among the event partners supporting the initiative, which aligns with this year’s National Heritage Month theme: “Roots and Horizons: Our Shared Heritage, Our Collective Future.”

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That theme quietly echoes throughout the tour.

Because beyond the Instagram-worthy façades and curated nostalgia lies a deeper question: What does it mean for a rapidly modernizing city to remember?

In Iloilo, the answer often lies in adaptive preservation. Many ancestral houses here survive because families, historians, local government units, and cultural advocates refused to surrender them to demolition and forgetfulness.

Some became museums. Others became restaurants, galleries, or cultural spaces. Their survival turned heritage from static memory into economic and cultural life.

The Rosendo Mejica Museum preserves the historic collection of Makinaugalingon, recognized as the oldest surviving vernacular newspaper in pre-World War II Iloilo. —PHOTOS BY HAZEL P. VILLA

The MICE Center’s Spanish Era Tour appears to understand this balance well.

It packages heritage not as dusty obligation, but as lived experience — accessible to students, travelers, young professionals, and even social media-savvy tourists searching for meaning behind the photograph.

Together, the sites form a living journey through Iloilo’s colonial, commercial, and cultural past—a reminder of why the city remains one of the country’s most important heritage destinations.

And in a time when many cities race upward toward glass towers and uniform skylines, Iloilo’s old houses continue to stand quietly, their wooden floors creaking beneath generations of footsteps, their windows still opening toward the river breeze.

For a few hours on this tour, visitors were allowed to walk back into that world.

Not as spectators.

But as temporary citizens of history.

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